
The August Bank Holiday re-enactment weekend is always sad in a way as it is the last of the season and means that another Summer is coming to an end. Spring is always lovely at Murton, with the hedges foaming with blossom and wild flowers tucked away on the banks of the streams, not to mention the lambs and chicks, but for me, the park is at its best in late Summer, with the trees in their fullest foliage, the hawthorn berries turning red, the elderberries green still but plumping up to deep purple weighing down the slender branches like dangling earings on a Turkish belly dancer. The paths around the fort are bordered with shoulder high grass and nettles, briars spill ripening blackberries like shining jewels over onto the narrow packed earth tracks. The Celtic village is overgrown and mysterious with the ruins of the roundhouses which were burned down by vandals a few years ago. The twisted hawthorn bedecked with ribbons guards the remaining sod house, mossed green and cool as a water nymph's boudoir. Along the walkway to the apiary the apples plop prematurely on the path, and in the garden of the Tudor house, they blush red above the rioting herbs.
A few years ago a huge English oak on the path to the Celtic village was blown down in a gale. Its shattered and splintered trunk screamed, the trunk and overweight branches spread across the pond and beyond, a giant broken and dying. Over a period the leaves ceased to unfurl on borrowed sap in Spring. The branches were sawn up and used for firewood, so that now the remaining fallen trunk rests across the pond and has become a part of its organic ecostructure, the jagged base smoothed and painted by time is hollowed out and is home to various flora, fauna, insects and magnificent fungi. The nettles and willowherb, wild garlic and tall grasses had been cut back exposing the rushes and water edge plants and allowing the sunlight to play on the deep viridian waters, picking out the vaguely sinister emerald weeds below the surface that hide goodness alone knows what.
Today the sun shines passionately down as if making up for lost time. The woven hazel hurdles that warn the unwary visitor or stray sheep or goat of the pond's existence are warm and supple to the touch. The grass is vibrant with grasshoppers playing the fiddle and the creatures that busy on the banks of still water. The pond is rich cerulean in places where it reflects the sky, and a pair of dragonflies swoop and dodge and skim in an arial ballet, their wings whirring, whizzing, blurring , sharply changing direction to defy my camera lens. If I stare hard enough I can see poor mad Ophelia, flowers in her flowing hair, floating in the murky depths.
Despite the mad activity of the wildlife, the plips and ripples of the surface skimmers, skittering waterboatmen, the opportunist minnows and the wisps of thistledown, it is still and peaceful. It is peaceful enough to allow the imagination to slip beyond time and place to the pages of Thomas Hardy or Mark Twain, or to feel as if one is inside of a Romantic Movement painting or poem, formed in the dots of pointillistic impressionism.
Sitting by the pond, on a day like this, time stands still.